Propagating “modernities”: art and architectural patronage of Shahbanu Farah Pahlavi

Download

index.pdf

Date

2013

Author

Tabibi, Baharak

Metadata

Show full item record

Item Usage Stats

557
views

740
downloads

This dissertation focuses on the last decade of the Pahlavi era to understand the role of royal Pahlavi women in the shaping of Iranian "modernity" within the broader context of architecture. Exploring various relations between gender, power, art and architectural practice, this study is an attempt to assess the authoritarian modernization under the royal patronage of Shahbanu Farah Pahlavi and the influential role she maintained in popularization of modern Iranian culture. The last decade of the Pahlavi era marks a crucial turning point in the enforcement of reforms aiming at the deep transformation in the Iranian cultural modernity. While many efforts were made to rebuild a nation, the shahbanu was the initial driving force behind the comprehensive reform program in the fields of art and architecture. Endowed with the role of regent, the shahbanu shaped much of the cultural agenda of the Pahlavi era during the last decade of the Iranian monarchy. Patronizing numerous social, cultural and educational organizations, she enacted Pahlavis' modernization ideologies by constructing and renovating buildings, establishing art centers, institutionalizing museums, and organizing national and international symposiums and conferences in various fields of arts and architecture. For Shahbanu Farah, culture was an appropriate instrument to legitimize politics.

Subject Keywords

Iran, Art, Architecture

URI

http://etd.lib.metu.edu.tr/upload/12618131/index.pdf
https://hdl.handle.net/11511/23957

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

Architectural interpretations of modernity cultural identity : a comparative study on Sedad Hakkı Eldem and Bruna Taut in early Republican Turkey Uysal, Zeynep Çiğdem; Altan, Tomris Elvan; Department of Architecture (2004) The thesis aims to reveal the decisive influence of the tension that stems from the contemporary searches for cultural identity on the architectural production of the early Republican Turkey. It attempts to demonstrate the conceptual and practical strategies that were devised in contemporary architecture for the resolution of the cultural tension by examining the architectural attitudes and practices of Sedad Hakki Eldem and Bruno Taut in the late 1930s and the early 1940s. In the first part, ءcultural iden...
Discursive continuity of political nationalism as a form of opposition politics in modern Iran Arıkan Sinkaya, Pınar; Altunışık, Meliha; Department of International Relations (2015) The dissertation examines political nationalism as a transformative power of modern Iranian politics at the societal level through historical-sociological study of four mass opposition movements, which are the Constitutional Movement (1906-11), National Front Movement (1949-53), Iranian Revolution Movement (1978-79), and Green Movement (2009). The appeal to nationalism by these opposition movements leads to ask why and how nationalism becomes an overarching ideology of political opposition? What are the str...
The formation of a modern city: Antalya, 1920s-1980s Bölükbaş Dayı, Esin.; Altan, T. Elvan.; Department of History of Architecture (2019) This dissertation examines the place of the concept of “local” in architectural historiography by focusing on the modernization process of Antalya. The analysis of the process is realized within two major contexts. On the one hand, the “peripheral” position of Antalya in canonic historiography is discussed in the frame of center-periphery relations and central-local actors; on the other hand, the developments both in the city center and its hinterlands are examined through the dualities of rural and urban, ...
Making art in the early Turkish Republic : The Academy of Fine Arts in İstanbul and The Art-Craft Department in Ankara Becker, Martina; Altan, Tomris Elvan; Department of History of Architecture (2013) This dissertation studies creative practices in the early Turkish Republic alongside their conceptualisation as art, as a means of transcending the epistemic confines of traditional art historiography while addressing phenomena that themselves had little agency in establishing those confines. The study centres on the Academy of Fine Arts in Istanbul and the Art-Craft Department in Ankara. The two schools were not the exclusive sites of creative practices in Turkey, yet, as the only public institutions of pr...
Changing discourses on visibility and invisibility in Iranian domestic architecture: a case study in Vali-Asr district in Tabriz (1980-2000) Golabi, Maryam; Bilsel, Fatma Cânâ; Erzen, Jale Adile; Department of Architecture (2018) This thesis aims to investigate the influence of socio-cultural transformations on the domestic architecture in the twentieth century in Iran in general and in Tabriz in particular. Pierre Bourdieu’s theoretical framework on the relation of social space and physical space provided conceptual tools for this study. The house is conceptualized as a physical embodiment of the social space. The attempt is to understand how the structure of social space, which is influenced by the ideology of the state is mirrore...

Citation Formats

B. Tabibi, “Propagating “modernities”: art and architectural patronage of Shahbanu Farah Pahlavi,” Ph.D. - Doctoral Program, Middle East Technical University, 2013.