Tracing repetition in the architectural plans of Enric Miralles

Download
2017
Kara, Deniz Dilan
The concept of repetition is mainly developed by the theoretical realms of philosophy, literature and psychoanalysis. This thesis aims to reclaim repetition from theoretical realms of these mediums and to originate a link between repetition and architectural praxis as a drive of cognitive process and methodological execution. In this point, Enric Miralles’ architecture provides a substantial ground to seek repetitional operations. The concept of repetition enters Miralles’ architectural operations as a method, or as a tool, necessary to perform his architecture. It is an indispensable part of his modus operandi. The “systematic repetition” that he adopts within his practice is a composition of two main components, namely “procedural” and “act of repetition;” the former refers to repetition of the same form through different projects, while the latter refers to the repetition of the same sketch over and over again. Miralles’ performance of repetitional procedures and acts is operational within architectural praxis and it holds the power to transform its process, and in turn, its object. Within this context, repetition concept, having a major role in Miralles’ working method, is investigated in relation to its status under Michael Hays’ discussion of architectural late avant-garde. Since repetition concept of Miralles is directly related with Deleuze’s theoretical disclosures on the subject, an additional framework is drawn under Deleuzean perspective. In this light, in the scope of this study, architectural drawings and sketches of Enric Miralles are subjected to analysis to demonstrate the potentiality of repetition in practical execution.  

Suggestions

Model making as a value-added tool in public, educational and professional domains
Hadia, Hatem Ahmed Ali; Elias Özkan, Soofia Tahira; Department of Building Science in Architecture (2015)
Models are one of the oldest mediums used for creating, communicating and representing ideas throughout the ages, whether these ideas are based on dogmatic, intellectual, ideological, or architectural thought (belief). Whatever their purpose, models, embody a value that reflects their worth to their makers/owners; but this value is not easy to quantify as it may be based on implicit considerations that are difficult to define and measure. On the other hand, it is possible to add measurable value to human en...
A Visual analysis of Libeskinds architecture: description of selected built works
Dehghan, Yasamin; Balamir, Aydan; Department of Architecture (2018)
This thesis is a visual analysis of Libeskind’s works, addressing formal elements as well as historical context and interpretations of meaning. In a speech about his architecture, Libeskind claims that in his designs he is inspired from concepts whichhe calls “17 Words of Architectural Inspiration”. He also claims that he is inspired from the roots of the cultures and uses different forms to symbolize different concepts in his buildings. Yet, he has been criticized due to the formal clichés he uses in his a...
Ending the exile of desire in Spinoza and Hegel
Cengiz, Övünç; Çırakman, Elif; Department of Philosophy (2007)
The main objective of this master’s thesis is to analyze the place assigned to the phenomenon of desire by Hegel and Spinoza, and to show that the main difference between two philosophers in terms of their understanding of desire and human phenomenon consists in their understanding of the relation between the substance and particulars. In order to fulfill the requirements of this objective, what is focused on is, as different from a certain philosophical thought excluding desire from a true account of human...
Perspective for the Reproduction of Architectural Space: ARCH524 as a Pretext
Kapusuz, Bilge Beril; Savaş Sargın, Ayşen; Department of Architecture (2012)
Discovery of the linear perspective of the Renaissance is momentous in terms of the appearance of a new “way of seeing” that is central to the “subject” and emergence of a “subjective” “way of representing” the world. With the assumption that “perspective” is a cultural constituent of the “Renaissance paradigm” that generates the representational notions of art and architecture, perspective is considered as a “convention” and a “mode of representation” that has been influential until the “paradigm shifts” i...
Technology, engineering and modernity in Turkey: the case of road bridges between 1850 and 1960
Örmecioğlu, Hilal Tuğba; Ünay, Ali İhsan; Department of Architecture (2010)
Almost all the sources on modernism originate material transformations in Western world to industrial revolution while mental ones to enlightenment. In all these narrations, technology, engineering, and modernism are considered as correlated. Besides these concepts, the everyday life rituals that were naturally constructed in the historical process also strengthen this attitude. Then, what are the meanings of the same concepts in a country that experience a reverse process instead of the modernization throu...
Citation Formats
D. D. Kara, “Tracing repetition in the architectural plans of Enric Miralles,” M.Arch. - Master of Architecture, Middle East Technical University, 2017.