A Visual analysis of Libeskinds architecture: description of selected built works

Download
2018
Dehghan, Yasamin
This thesis is a visual analysis of Libeskind’s works, addressing formal elements as well as historical context and interpretations of meaning. In a speech about his architecture, Libeskind claims that in his designs he is inspired from concepts whichhe calls “17 Words of Architectural Inspiration”. He also claims that he is inspired from the roots of the cultures and uses different forms to symbolize different concepts in his buildings. Yet, he has been criticized due to the formal clichés he uses in his architecture. The aim of this study is to comprehend how Libeskind uses forms and their compositions to convey a specific meaning or symbolize a specific concept. To reach this aim, thirteen selected buildings of Libeskind are first studied individually through their planimetric and volumetric compositions, openings, additive and subtractive volumes. The selected buildings are then categorized according to formal similarities in their formation process, openings, additions, subtractions and types of extensions. This categorization was done to understand if similar forms also have similar meanings and concepts or not. The study confirms that the seventeen words he mentioned are implied in his buildings. Regarding forms and the meanings they convey, although in some cases similar forms have similar meanings, there are also cases where this does not hold true.

Suggestions

An Ontological inquiry on potentials of criticality and conceptualization of program in architecture
Kızıl, Sinan Cem; Sargın, Güven Arif; Department of Architecture (2017)
The relation between architecture and social change is one of the key themes in historical discourse of architectural theory. The tradition of criticality has been consolidated after enlightenment and it caused distrust towards norms of architecture. Even though this tradition of criticality eventually turns to its roots and criticises the ideals of enlightenment in postmodern discourses, it is clear that namely postmodern architectures still subjected to criticism similar to their modernist predecessors. I...
Tracing repetition in the architectural plans of Enric Miralles
Kara, Deniz Dilan; Savaş Sargın, Ayşen; Department of Architecture (2017)
The concept of repetition is mainly developed by the theoretical realms of philosophy, literature and psychoanalysis. This thesis aims to reclaim repetition from theoretical realms of these mediums and to originate a link between repetition and architectural praxis as a drive of cognitive process and methodological execution. In this point, Enric Miralles’ architecture provides a substantial ground to seek repetitional operations. The concept of repetition enters Miralles’ architectural operations as a meth...
Perspective for the Reproduction of Architectural Space: ARCH524 as a Pretext
Kapusuz, Bilge Beril; Savaş Sargın, Ayşen; Department of Architecture (2012)
Discovery of the linear perspective of the Renaissance is momentous in terms of the appearance of a new “way of seeing” that is central to the “subject” and emergence of a “subjective” “way of representing” the world. With the assumption that “perspective” is a cultural constituent of the “Renaissance paradigm” that generates the representational notions of art and architecture, perspective is considered as a “convention” and a “mode of representation” that has been influential until the “paradigm shifts” i...
A study on the 'creative act' in architecture through the attitude of M. Ziya Tanalı
Taşkın, Özlem; Cengizkan, Ali; Department of Architecture (2006)
In this thesis, analysis of the creative act in architecture and art is tried to be dwelled upon. The capacities of the 'creative mind'; personality and ethics are the fields that are focused on to elaborate the subjective qualities of the architect. Three aspects are designated in this framework through the literal works of architect M. Ziya Tanalı. Tanalı is a man of profession for the several years. He is not only contributed Turkish architecture with buildings, but also wrote extensively on art and arch...
Drawing as a “critical act”: fiction and the unconventional architecture of Lebbeus Woods
Köken, Burcu; Savaş Sargın, Ayşen; Department of Architecture (2015)
This thesis, essentially aims to explore the processes of architecture production by focusing on political motive forces; through the utilization of a crucially assigned medium, the “drawing.” It will be an inquiry into drawing as a creative and “critical” architectural product. The significance of the drawing, not solely as an instrument for architecture, but also as an entity itself, had mentioned by Diana Agrest, as she describes “architectural production” in three subtitles which she calls “texts”: writ...
Citation Formats
Y. Dehghan, “A Visual analysis of Libeskinds architecture: description of selected built works,” M.Arch. - Master of Architecture, Middle East Technical University, 2018.