Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Convergence of text and reader: a study of textual strategies and the formation of configurative meaning in selected works of fiction
Download
index.pdf
Date
2018
Author
Shadi, Mehran
Metadata
Show full item record
Item Usage Stats
352
views
130
downloads
Cite This
In this study, first, the foundational developments in the domains of linguistics, philosophy of language and literary theory that have led to a transformation of the concept of the reader are reviewed closely. Then, to understand the nature of literary responses, an Interactionalist Model of Readership (IMR) is proposed to explore the two sides of the reader-text interaction and the nature of the final product of the reading act. Using various examples, the interaction between the text and the reader is, then, scrutinized in semiotic, discursive, narrative, and pragmatic levels to show how text communicates with its readers through various channels. Finally, the characteristics of the final product of the readership, namely, the virtual existence of the text, or the aesthetic object, are explored. In the following chapters, this model of readership is put to practice to show how the narrative texts of Tristram Shandy, and The Dispossessed limit and delimit their reader’s creative imagination, by employing a variety of textual techniques and narrative strategies. It is elucidated how these texts limit the arena for the readers’ creative imagination by implementing certain narratorial modes, internal focalizations, and also by sequencing the action of their stories in certain manner. Then, it is demonstrated how these texts invite their readers to play a more active role in the act of concretization by implementing gaps, tantalizing omissions, digressions, alternate stories, and an unreliable narrator, and hence make the arena wider for the readers’ creative imagination.
Subject Keywords
Fiction.
,
Readers.
,
Imagination.
,
Creative ability.
,
Hermeneutics.
,
Phenomenology.
URI
http://etd.lib.metu.edu.tr/upload/12622148/index.pdf
https://hdl.handle.net/11511/27321
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Imitation of basic hand preshapes by fluid based method: fluidics formation control
Tilki, Umut; Erkmen, İsmet; Erkmen, Aydan Müşerref (2011-01-01)
In this paper, a new approach is developed, avoiding the correspondence problem caused by the difference in embodiment between imitator and demonstrator in imitation learning. In our work, the imitator is a fluidic system of dynamics totally different than the imitatee, which is a human performing hand gestures. The fluidic system is composed of fluid particles, which are used for the discretization of the problem domain. In this work, we demonstrate the fluidics formation control so as to imitate by observ...
Bergson’s method of intuition: towards a philosophy of life /
Koçkan, Zöhre; Çırakman, Elif; Department of Philosophy (2014)
The purpose of this study is to show how a possible philosophy of life can arise by following Bergson’s method of intuition and to make emphasis on how Bergson’s two fundamental notions (intuition and duration) are capable of grasping the flux of life. The scientific methods, static concepts and classical philosophy are not able to understand the flow of life. Throughout this study it is pointed out a possible philosophy that is able to grasp the flow and the evolution of life. For this aim, Bergson’s metho...
Mind the Gap: Reconciling Formalism and Intuitionism in Computational Design Research
Mennan, Zeynep (Delft University of Technology, 2014)
The paper discusses the epistemological and methodological implications of an increasing process of formalisation and naturalisation of knowledge within the context of the complexity paradigm. This process is argued to induce a shift in the nature of notations and representations, to which corresponds an epistemic shift from a graphic to a computational rationality, with substantial effects on current design methodologies and strategies used in computational design. The shortcomings of a heavy formalism are...
Memories of the Fourth Condition and Lessons to be Learned from Suspicious Externalism
Baç, Mutlu Murat (2009-01-01)
A significant and interesting part of the post-Gettier literature regarding the analysis of propositional knowledge is the attempt to supplement the traditional tripartite analysis by employing a fourth condition regarding the defeasibility of evidence and thus to preclude the counterexamples displayed in Gettier's original article. My aim in this paper is to critically examine the sort of externalism that accompanies the most promising of the proposed fourth conditions, due to Pollock, in order to offer so...
Reconsidering the Kantian concept of genius through the questions of nature, freedom and creativity
Ertene, Merve; Çırakman, Elif; Department of Philosophy (2012)
In this thesis, the role and the significance of the Kantian theory of art and concept of genius in Kant’s system is examined. In this examination, it is aimed to answer the question of the meaning of being human in Kant’s system through art and artist. To this end, Kant’s consideration of art from the spectator’s standpoint and ignorance of artist’s perspective are criticized. In conformity with this criticism, throughout the thesis, depending on Kant’s conceptualization of the genius, the artist’s perspec...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
M. Shadi, “Convergence of text and reader: a study of textual strategies and the formation of configurative meaning in selected works of fiction,” Ph.D. - Doctoral Program, Middle East Technical University, 2018.