Disability and Otherization: Readings on Cinema in the Light of UD Principles

2018-8-31
Uyaroglu, Ilkay Dinc
Bala, Havva Alkan
Cinema and architecture are universal with their inclusiveness in the mental process. The mental process is often generated by the sense of sight in modern times. In this sense, cinema, as a visual art, has started to take an active role in the intellectual, conceptual and creative actions of modern man. With the cinema, the realities of the virtual world have become more convincing than the dreams of the real world. It involves person-environment relationships which might not be ours but "look like ours". Universal Design (UD) also puts forward a proactive interaction in-between man and environment. UD is based on equitable, flexible, intuitive, perceptible, tolerant-to-error access with appropriate size and space. While its conceptual basis with its guidelines are commonly constructed on the spatial needs of people with disabilities, it highlights disability does not focus on only permanent, visible, bodily or intellectual (dis)abilities. Every kind of "otherization" creates disability in society. This study aims to investigate how the relationship between architecture and disability in cinema is portrayed by reading through films that are masterpieces covering experiences of different disability groups. Using Visual Analysis method in the study, the codes and categories generated based on the UD Principles are associated with selected visual images and dialogues according to the frames of meaning of the scenes in the films. In this way, this study aims to question the location of UD parameters in physical and social environment through cinema.
Iconarp International J. of Architecture and Planning

Suggestions

Sinemasal Anlatıda Mekân: Kubrick Filmlerinde Tuvalet Ve Banyolar
Ünver, Büşra (Middle East Technical University, Faculty of Architecture, 2021-6-30)
Mimarlık ve sinema, zamansal ve mekânsal yapılarıyla yaşanan mekânı ifade eden iki farklı disiplindir. Mimarlık kendi kuramını üretirken sinemadan, sinema da kendini yaratırken mimarlıktan faydalanarak etkileşime geçerler. Söz konusu etkileşimi örneklemek amacıyla yapılan bu çalışmada mekân, sinemasal anlatılar aracılığıyla incelenmiştir. Çalışmanın kapsamını, kullanılan mekânların pasif bir dekor olmaktan çok, dramatik aksiyona yön veren ve sinemasal anlatıyı güçlendiren mekânlar olması nedeniyle Kubrick s...
Designing vitalness at the crossroad of architecture and theatre: architectural design in the light of Stanislavskian acting
Öztek, Elif; Erkılıç, Mualla; Department of Architecture (2018)
Architecture and theater, have been encountering with each other in many aspects as they have an essential commonality: their concern about the human life. In architecture, the aim is to create spaces for the life; whereas theatre imitates and represents the life. Architects and theater practitioners are both actors and spectators of the world theater. Both disciplines consider the human being together with its phenomenal environment and contain a life with all its aspects and dimensions. This distinctive q...
Understanding the concept of space in cinema: Re-reading Stanley Kubrick exhibitions
Akay, Ayça; Güzer, Celal Abdi; Department of Architecture (2023-1-17)
This study enhances a critical inquiry into functionalization of the architectural concept 'space‘ in cinema. By questioning the origins and the dialectical relations of cinema with other art forms, it is claimed that cinema establishes representative interactions with architecture in order to transcend the limits of the filmic frame. In the multiplicity of the representations, this study posits the frontiers of cinema are broadened towards the scope of architectural discipline over the objects of art and d...
The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course
Pinar, Ekin (2022-12-01)
This paper explores the rich pedagogical potential of women’s filmmaking for interdisciplinary courses that explore the relations between cinema, architecture, and urbanism. While many courses on this subject tend to focus on white male filmmakers (e.g., Alfred Hitchcock, Jacques Tati, Stanley Kubrick, Fritz Lang), in constructing a new version of this elective, I aimed to extensively incorporate women’s filmmaking to the curriculum, especially opting for exemplary films that provide a rich basis to discuss...
Intercultural theatre? A 'Streetcar Named Desire' on the Turkish stage (Ferdi Merter)
Ozbirinci, Puernur Ucar (Cambridge University Press (CUP), 2008-03-01)
The controversial theory of intercultural performance covers a wide range of theatrical practices, which intend to adapt subject matter and situations from one culture to another This intention mainly involves a transportation and translation of elements and perspectives across cultures. The translator, the audience or reader, and the director fill in the gaps that are formed during this transportation and translation with their own interpretations, in accordance with the culture they inhabit. However, inte...
Citation Formats
I. D. Uyaroglu and H. A. Bala, “Disability and Otherization: Readings on Cinema in the Light of UD Principles,” Iconarp International J. of Architecture and Planning, pp. 105–129, 2018, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/51629.