The lord of the postmodernity: Plagiarism

Date

2018-05-01

Author

Işıtman, Ödül

Metadata

Show full item record

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Item Usage Stats

368
views

0
downloads

Today's art, which is dominated by postmodernism, evolves into a completely different sense of art that reverses the system over its own weapon and changes all the known values of art. Postmodern art, which focuses on questions about what is the thing that is art, canalises itself into citations and compilations which turn into imitation, appropriation, pastiche or plagiarism. While postmodernism turns into a kind of citation and compilation aesthetics; imitation, which is at the centre of the questions related to what is the thing that is art, becomes the strategy of postmodernism. The article titled ‘The Lord of the Postmodernity: Plagiarism’ is about the transformation of an art object into an art material or the re-presentation of it in today's sense of art which extends from imitation, appropriation and pastiche to plagiarism.

Subject Keywords

Postmodernism, plagiarism, power, imitation, appropriation, art, pastiche

URI

https://hdl.handle.net/11511/69645

Journal

Global Journal of Arts Education

DOI

https://doi.org/10.18844/gjae.v8i2.3798

Collections

Department of Music and Fine Arts, Article

Suggestions

OpenMETU
Core

THE Lord of The Postmodernity Plagiarism, Postmodernitenin efendisi İntihal Işıtman, Ödül (2017-06-29) Today’s art, which is dominated by postmodernism, evolves into a completely different sense of art that reverses the system over its own weapon and changes all the known values of art. While the limits of perception are pushed in a timeless and spaceless language, answers are sought to the questions which are posed in almost all areas of real and virtual. In this process, the problems of imitation, appropriation or plagiarism have taken their place in the center of positive or negative art thought. With...
Criticism of contemporary art initiatives in arts from feminist standpoint theory: the case of Ankara / Turkey. Akbıyık, Merv; Ecevit, Mehmet Cihan; Department of Gender and Women's Studies (2020) The purpose of this thesis is based on to claim that in paradigmatic problematization of art, contemporary art and specificities of subjectivities of contemporary art initiatives which is in contemporary art should be understood on the basis of knowledge and politics. The approach to contemporary art initiatives through Feminist Standpoint Theory will also bring the understanding of contemporary art that is critical to capitalist understanding of contemporary art. The institutionalized capitalist contempora...
Autonomy of artistic field : the case study of İstanbul Aydın, Ceren Can; Mücen, Barış; Department of Sociology (2013) This thesis critically analyzes the dynamics wherein the artistic field- the art world per se possessing both 'glocal' and 'universal' attributes- has been constructed as an autonomous field within the discourses produced about art. The research focuses on some of the moments during which the field, as becoming an 'institution' inside the framework of modern state paradigm, has been imbricated and freed from social history by designating some of the fundamental arguments about its epistemological, historica...
Eğitimin Estetik Süreç Olarak Yorumu Ve Mimarlık Eğitimi Erzen, Jale Nejdet (Middle East Technical University, Faculty of Architecture, 1976) Studies in perception, anthropology, and the arts of the primitive people, have destroyed the old surrogate theories about art and aesthetics, and have helped to break the boundaries between daily life, education and art in the 20th Century. Jean Piaget's studies in child perception, Geştalt psychology, philosophers like Bergson and Whitehead, John Dewey with his revolutionary ideas on education, and Eric Havelock, scholar in preliterate Greek societies, are just a few among the many sources that prove the ...
The digitally reconstructed architectural object in the age of post-orthography Beril, Önalan; Gürsel Dino, İpek; Yoncacı Arslan, Pelin; Department of Architecture (2020-8) In his much-quoted essay The Work of Art In The Age of Mechanical Reproduction, Walter Benjamin discusses that original artworks have an inherent aura and emphasizes the importance of material authenticity, arguing that mechanical reproduction leads to the loss of that auratic and iconic qualities. Within this context of the materiality argument that fails to consider the values that might emerge as a result of the digital technology of reproduction, it is difficult to redefine the digitally reconstructed o...

Citation Formats

Ö. Işıtman, “The lord of the postmodernity: Plagiarism,” Global Journal of Arts Education, pp. 84–90, 2018, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/69645.