Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
The Ottoman Society of Painters during the First World War
Date
2014-04-08
Author
Tongo Overfield Shaw, Gizem
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
118
views
0
downloads
Cite This
URI
https://hdl.handle.net/11511/96948
Conference Name
International Conference: Not All Quiet on the Ottoman Fronts: Neglected Perspectives on a Global War
Collections
Graduate School of Social Sciences, Conference / Seminar
Suggestions
OpenMETU
Core
The Turkish Diyanet Foundation
Turan, Oemer (Wiley, 2008-04-01)
The British Museum, Muze-i Humayun and the travelling "Greek ideal" in the nineteenth century
Özkaya, Ayşe Belgin (2014-03-01)
In standard architectural history surveys, the British Museum is portrayed as an example of nineteenth-century "neoclassicism": or the "Greek revival:" Usually cited as among the motive factors in this revival are the writings about European travels and archaeological explorations in the then Ottoman lands of ancient Greece, as well as a general interest in Hellenic culture. Yet the cultural and architectural appropriation of the Hellenic is not analyzed in relation to the possible ties and tensions between...
The Genre of architectural manifesto in the society of the spectacle
Turan, Oktay; Cengizkan, Ali; Department of Architecture (2013)
This study embarks upon analyzing the relationship between the society of the spectacle and the genre of architectural manifesto and construes the transformation of the genre with the change occurred within the society of the spectacle. In order to understand this very relationship, the society of the spectacle has been considered as the raison d'etre of the genre due to the argument that the genre is a result of these culminations perpetuated to have been occurred within the spectacular society. In other w...
The solidarity movement in Poland
Akçalı, Pınar; Acar, Feride; Department of Public Administration (1991)
The Depiction of Women in Italian World War I Posters
Gürsel, Bahar (null; 2017-11-17)
During World War I, campaign posters were commenced to be used as mass produced tools of propaganda for the purpose of conveying political, economic, social and cultural messages. Several female images were frequently employed by the male illustrators of those posters, and they were utilized to emphasize the importance of the preservation of the nation-state and its institutions which could be achieved by enhancing the strength and integrity of the armed forces during the Great War. This paper will reveal ...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
G. Tongo Overfield Shaw, “The Ottoman Society of Painters during the First World War,” presented at the International Conference: Not All Quiet on the Ottoman Fronts: Neglected Perspectives on a Global War, İstanbul, Türkiye, 2014, Accessed: 00, 2022. [Online]. Available: https://hdl.handle.net/11511/96948.
