Renaissance dance patterns in shakespeare’s Italian plays: An analysis of dialogues

Date

2006-01-01

Author

Çıkıgil, Fatma Necla

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This article proposes a relationship between the patterns of Renaissance dances and the shaping of significant passages of dialogue in Shakespeare’s ‘Italian’ plays, Romeo and Juliet, The Taming of the Shrew and Much Ado About Nothing. It pays particular attention to corantos, galliards, la voltas and pavanes. © Intellect Ltd 2006.

Subject Keywords

Coranto, Dialogue, Galliard, La volta, Pavane, Renaissance dance

URI

https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=51249127096&origin=inward
https://hdl.handle.net/11511/102451

Journal

Studies in Theatre and Performance

DOI

https://doi.org/10.1386/stap.26.3.263/1

Collections

Department of Modern Languages, Article

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Renaissance dance patterns in shakespeare’s Italian plays: An analysis of dialogues Çıkıgil, Fatma Necla (2006-01-01) This article proposes a relationship between the patterns of Renaissance dances and the shaping of significant passages of dialogue in Shakespeare’s ‘Italian’ plays, Romeo and Juliet, The Taming of the Shrew and Much Ado About Nothing. It pays particular attention to corantos, galliards, la voltas and pavanes. © Intellect Ltd 2006.
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Citation Formats

F. N. Çıkıgil, “Renaissance dance patterns in shakespeare’s Italian plays: An analysis of dialogues,” Studies in Theatre and Performance, vol. 26, no. 3, pp. 263–272, 2006, Accessed: 00, 2023. [Online]. Available: https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=51249127096&origin=inward.