An Attempt of measuring art taste of a group of music students in Ankara

Download

index.pdf

Date

2013

Author

Eren, Ozan

Metadata

Show full item record

Item Usage Stats

171
views

75
downloads

Since its publication in 1984, Pierre Bourdieu’s prominent work called Distinction has been admired, imitated and discussed. Based on the research question of how tastes are shaped within relation to cultural capital, social capital and economic capital, this study aims to develop a descriptive analysis to measure different tastes of baglama students, regularly attending an urban–based music house, in Kızılay, Ankara. In order to trace the original study conducted by Bourdieu in 1980s to measure the tastes and stick to the later study in Britain which is more applicable and easier to operationalize, this study aims to question tastes of young people attending baglama courses, based on a long–lasting interview including sub–sections observing social/cultural/economic capital and tastes of interviewees.The most important contribution of this thesis in the field of sociology of art is that it aims to develop a methodological tool adapted to Turkey in order to assess cultural consumption and taste. More explicitly, it is the first attempt in Turkey to measure art taste of music students in an urban based music house.

Subject Keywords

Music, Art and music, Music students, Popular music

URI

http://etd.lib.metu.edu.tr/upload/12616217/index.pdf
https://hdl.handle.net/11511/22733

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

A comparative study of the press laws of 1909 and 1931 Güçtürk, Yavuz; Ergut, Ferdan; Department of History (2005) In this thesis the press laws of 1909 and 1931 are analyzed and compared. Before the comparative examination of the press laws, the emergence and development of press in the Ottoman Empire in the nineteenth century, including the related legal arrangements, is given within an historical framework. This thesis aims to introduce the similarities and differences between the first and only press law of the Ottoman Empire and the first one of the Turkish Republic by examining them in detail. It is argued that th...
Display by Design: Transformation of Museum Space Savaş Sargın, Ayşen (2017-01-31) The lecture title and its theoretical content have been highly influenced from the post-structuralist discourse developed after 1980’s. Theoretical shifts in historiography that had started questioning the linear flow of events and underlined the significance of memory and fragmented remembrance over institutionalized history; the developments in linguistic theories that presented the notorious arbitrary relationship between signifier and signified and the diachronic and synchronic strata of meanings associ...
The death of the author in the streetscape of Ankara: A Barthesian intervention into critical toponymy Düzgün, Doğuş; Alpan, Başak Zeynep; Department of Political Science and Public Administration (2020-9) In this thesis I use the post-structuralist textual theory of Roland Barthes that is known as ‘the death of the author’ in order to explain the politics of street names. Barthes argued that in the literary texts author cannot fix the meaning as it is the readers who produce the meaning. In a similar way, I argue that the streetscape is a polysemous text in which the meaning is produced by readers (everyday users) rather than authors (the political elites that officially determine the street names). Implicat...
Intersection of architecture and music as Gesamtkunstwerk in Iannis Xenakis' selected works Özcan, Zeynep; Enginsoy Ekinci, Ayşe Sevil; Department of History of Architecture (2013) This thesis focuses on the two selected works of the architect/engineer/composer Iannis Xenakis (1922-2001); Philips Pavilion (1956-58) and Le Diatope (1978). It places these works at the intersection of architecture and music by showing how they combine spatial, musical and visual performances. Accordingly, it discusses them as exceptional twentieth-century examples of Gesamtkunstwerk; “total work of art.”
Public diplomacy of the Russian federation and its historical legacy Karaayak, Ozan; Kuşçu Bonnenfant, Işık; Department of Eurasian Studies (2019) This thesis analyzes the Russian public diplomacy within both historical and contemporary contexts. To this end, discussion on public diplomacy concept, the history of the Russian public diplomacy and a comparative analysis on the public diplomacy conducted by the Russian Federation with regards to the Ukrainian Crisis and Syrian Civil War will be presented. This thesis seeks to find out the main goal/theme of the public diplomacy conducted by the Russian Federation, the impact of the historical legacy of t...

Citation Formats

O. Eren, “An Attempt of measuring art taste of a group of music students in Ankara,” M.S. - Master of Science, Middle East Technical University, 2013.