The Ideal Of Handicrafts and the Modern Design Formation: Coincidences and Failures

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2013-12-1

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Tsoumas, Johannis

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Bu araştırma günümüzde modern tasarım olarak adlandırılan kavramın el sanatları kavramıyla yakından ilişkisini incelemektedir. Esas amacı, yalnızca kuramsal olarak değil, aynı zamanda karanlık Orta Çağdan günümüze uzanan bir dizi anahtar tarihsel örnekten hareket ederek el sanatlarının, Batı toplumlarında başarıya ulaşan endüstriyel tasarımın temelini oluşturduğunu göstermektir. Bu göz ardı edilemeyecek ilişkinin gelişimindeki önemli dönüm noktası 19. yüzyıl İngiltere’sidir. Çünkü bu dönem Sanayi Devrimi’ni içermesi yanı sıra Morris ve Ruskin’in hiç de gerçekçi olmayan biçimde inandıkları gibi Orta Çağa özgü yöntemlerle nesnelerin yeniden tasarlandığı dönemdir. Daha sonra, Avrupa’da, Modernizmin kitle üretiminden önce uygulamalı sanatlarda el sanatlarının son umudu olan Art Nouveau ile birlikte Üçüncü Dünya ülkelerinin elle yapılan üretimleri günümüzde hala önemli ve ayrı kalan söz konusu iki kavramın benzerliklerini ve farklılıklarını işaret eder.

Subject Keywords

Architecture

URI

https://hdl.handle.net/11511/50730
http://jfa.arch.metu.edu.tr/archive/0258-5316/2013/cilt30/sayi_2/55-62.pdf

Journal

ODTÜ Mimarlık Fakültesi Dergisi

DOI

https://doi.org/10.4305/metu.jfa.2013.2.4

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Department of Architecture, Article

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Citation Formats

J. Tsoumas, “The Ideal Of Handicrafts and the Modern Design Formation: Coincidences and Failures,” ODTÜ Mimarlık Fakültesi Dergisi, vol. 30, no. 2, pp. 55–62, 2013, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/50730.