Kırılan Temsiliyet: Libeskind’de Bellek, Tarih ve Mimarlık

Download

49-70-2.pdf

Date

2009

Author

Maden, Feray
Şengel, Deniz

Metadata

Show full item record

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Item Usage Stats

504
views

410
downloads

Mimarisini ‘yokluk,’ ‘yitirilmişlik’ ve ‘bellek’ kavramları üzerinden çizgiler, çarpıtılmış açılar, kesişen geometriler ve boşluklar etrafında kurgulayan Daniel Libeskind, çok disiplinli mimarisi ve radikal yaklaşımları ile kuşkusuz mimarlık kuram ve pratiğini etkileyen ustaların başında gelmektedir. Bellek ve tarihin ‘izleri’ üzerinde şekillenen projeleri ve çoğunlukla da müze yapıları ile karşımıza çıkan Libeskind, Rönesanstan bu yana süregelen mimarlıkta temsiliyet sorunsalı, mimarî temsil ve temsilin mimarlığı gibi tartışmalara, sergilediği aykırı mimari ile yeni bir yön kazandırmaktadır. Makalenin hedefi, Libeskind’in proje ve çizimleri üzerinden, mimarın tarihi yorumlaması çerçevesinde temsiliyet sorununu irdelemektir. Bu irdeleme, mimarlık ile tarih arasında kurulan ilişki bakımından birbirinden farklılaşan modern ve postmodern dönemler arasında kendisine yeni bir konum bulan Libeskind’in tarih anlayışını bir kez daha gözden geçirerek yorumlamayı amaçlamaktadır. Yazı ayrıca Libeskind mimarisinin, mimarlığın geleneksel temsillerinden farklılaşarak disiplinler arası bir yaklaşımla diğer alanlarla kurduğu ilişkiyi sorgulamayı da hedeflemektedir.

Subject Keywords

Daniel Libeskind, Berlin Yahudi Müzesi, Mimarî çizim, Bellek ve tarih, Modern ve postmodern mimarlık

URI

http://jfa.arch.metu.edu.tr/archive/0258-5316/2009/cilt26/sayi_1/49-70.pdf
https://hdl.handle.net/11511/50859

Journal

ODTÜ Mimarlık Fakültesi Dergisi

Collections

Department of Architecture, Article

Suggestions

OpenMETU
Core

Analyzing the Mimarlik journal: a study on architecture in Turkey in the 1980s Göloğlu, Sabiha; Altan, Tomris Elvan; Department of History of Architecture (2011) This thesis aims to examine the transformations that took place in architectural theory and practice in Turkey in the 1980s, and the role of architectural publications in this context, by analyzing the framework that was drawn by the Mimarlık journal. The analysis of Mimarlık is undertaken in relation to architectural developments in the world and in Turkey, and foreign and local counterparts of the journal. The shifting stances of the journal, as the publication of the Chamber of Architects of Turkey, are ...
Historical contuinity: three modernist masters, their precedents and descendants Mollazadeh, Aslı; Balamir, Aydan; Department of Architecture (2014) The aim of this thesis is to uncover the relation between the concept of historical continuity and architectural modernism. Modernism in architecture has often been conceived as a movement that rejects history. The buildings of modernist masters have been seen alien to their environments and the cultural values of the society. Although there have been many studies disproving this widespread opinion, the continuing effects of modernist works on today's architectural environment haven't been fully understood....
Paradoxes of exhibiting architecture Köse, Melte; Savaş Sargın, Ayşen; Department of Architecture (2019) This thesis starts with the assumption that architectural exhibitions are powerful enough to define a research field in architecture. Exhibitions work as a medium for architecture while framing and redefining the profession over and over again. Although their existence is temporary, their effects on the development of architectural theory is permanent. Architectural exhibitions display an object which is not physically there by using drawings, models or photographs in full scale or in fragments. Alongside h...
Constructed Revolutions: Cinematic Representation of the Spaces of Politics-Ankara: Serdce Tureckii Sargın, Güven Arif (Wiley, 2013-01-01) The intricate relationship between the cinematic representation of modernist ideologies and their spatial attributes is part of any political program and finds its concrete manifestation in Modern historiography. The new capital city of the Turkish Revolution renders a similar trajectory through which the city itself, Ankara, becomes almost an instrument of that ideological construction through the gaze of revolutionary cinema. However, what is most striking in this historical remaking is the intrusion of t...
On critique of architectural image : reading Jean Baudrillard through Jean Nouvel Uslu, İrem; Sargın, Güven Arif; Department of Architecture (2011) The aim of this study is to question the relationality between conception of image, social condition of an era and architecture. With acceptance of a transition to a new kind of relationality in contemporary era, a trialectical analysis is carried on, in order to understand changes in this relationality and its effects on contemporary architecture. Image, mainly depicted as the tool for communication, loses its transcendental and ideal status and degrades to an artificial and tricky state under the contempo...

Citation Formats

F. Maden and D. Şengel, “Kırılan Temsiliyet: Libeskind’de Bellek, Tarih ve Mimarlık,” ODTÜ Mimarlık Fakültesi Dergisi, vol. 26, no. 1, pp. 49–70, 2009, Accessed: 00, 2020. [Online]. Available: http://jfa.arch.metu.edu.tr/archive/0258-5316/2009/cilt26/sayi_1/49-70.pdf.