Kırılan Temsiliyet: Libeskind’de Bellek, Tarih ve Mimarlık

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49-70-2.pdf

Date

2009

Author

Maden, Feray
Şengel, Deniz

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Mimarisini ‘yokluk,’ ‘yitirilmişlik’ ve ‘bellek’ kavramları üzerinden çizgiler, çarpıtılmış açılar, kesişen geometriler ve boşluklar etrafında kurgulayan Daniel Libeskind, çok disiplinli mimarisi ve radikal yaklaşımları ile kuşkusuz mimarlık kuram ve pratiğini etkileyen ustaların başında gelmektedir. Bellek ve tarihin ‘izleri’ üzerinde şekillenen projeleri ve çoğunlukla da müze yapıları ile karşımıza çıkan Libeskind, Rönesanstan bu yana süregelen mimarlıkta temsiliyet sorunsalı, mimarî temsil ve temsilin mimarlığı gibi tartışmalara, sergilediği aykırı mimari ile yeni bir yön kazandırmaktadır. Makalenin hedefi, Libeskind’in proje ve çizimleri üzerinden, mimarın tarihi yorumlaması çerçevesinde temsiliyet sorununu irdelemektir. Bu irdeleme, mimarlık ile tarih arasında kurulan ilişki bakımından birbirinden farklılaşan modern ve postmodern dönemler arasında kendisine yeni bir konum bulan Libeskind’in tarih anlayışını bir kez daha gözden geçirerek yorumlamayı amaçlamaktadır. Yazı ayrıca Libeskind mimarisinin, mimarlığın geleneksel temsillerinden farklılaşarak disiplinler arası bir yaklaşımla diğer alanlarla kurduğu ilişkiyi sorgulamayı da hedeflemektedir.

Subject Keywords

Daniel Libeskind, Berlin Yahudi Müzesi, Mimarî çizim, Bellek ve tarih, Modern ve postmodern mimarlık

URI

http://jfa.arch.metu.edu.tr/archive/0258-5316/2009/cilt26/sayi_1/49-70.pdf
https://hdl.handle.net/11511/50859

Journal

ODTÜ Mimarlık Fakültesi Dergisi

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Department of Architecture, Article

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Citation Formats

F. Maden and D. Şengel, “Kırılan Temsiliyet: Libeskind’de Bellek, Tarih ve Mimarlık,” ODTÜ Mimarlık Fakültesi Dergisi, vol. 26, no. 1, pp. 49–70, 2009, Accessed: 00, 2020. [Online]. Available: http://jfa.arch.metu.edu.tr/archive/0258-5316/2009/cilt26/sayi_1/49-70.pdf.