Kamusal Sanatın ‘Kamusallığı’: Erişim, Aktör, Fayda Yaklaşımı

2013
Kamusal mekanda sanattan bahsedildiğinde aklımıza bir dizi soru gelir: Kamusal sanatın ‘kamusallığı’ nedir? Kamusal mekanda sergilenen herhangi bir sanat eseri ‘mutlak’ kamusal mıdır? Bir kamusal sanat eseri, diğerine göre daha ‘az’ ya da daha ‘çok’ kamusal olabilir mi? Kamusal mekanda farklı temsil biçimleriyle sunulan sanat eserinin ne kadar ‘kamusal’ olduğu tanımlanabilir mi? Ölçülebilir mi? Bu makale, kamusal sanatın ‘kamusallığı’ sorunsalına odaklanarak, bu sorulara cevap aramayı hedeflemektedir. ‘Kamu’ ve ‘özel’ kavramlarıyla ilgili yazına hızlıca göz attıktan sonra, bu kavramları tanımlamak için Benn ve Gaus’un 1983’te ortaya attığı ‘erişebilirlik’, ‘aktör’ ve ‘fayda’ ölçütlerine dayanarak, kamusal sanatın kamusallığını tanımlamayı ve tartışmayı hedeflemektedir; özellikle kent planlama ve tasarım alanlarında yapılacak araştırmalarda kullanılabilecek bir araç (ya da model) sunmaya çalışmaktadır. Makale dört ana bölümden oluşmaktadır. İlk bölümünde, kamusal sanata erişim, ikinci bölümünde kamusal sanatın aktörleri ve üçüncü bölümünde ise, kamusal sanatın çok yönlü faydalarına bağlı olarak ‘kamusallık’larının nasıl değişebileceği tartışılmaktadır. Sonuç bölümünde ise, kamusallığın üç boyutuna bağlı olarak yapılan tartışmanın sonuçları özetlenmektedir.
İDEALKENT

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Citation Formats
Z. M. Akkar Ercan, “Kamusal Sanatın ‘Kamusallığı’: Erişim, Aktör, Fayda Yaklaşımı,” İDEALKENT, pp. 220–255, 2013, Accessed: 00, 2021. [Online]. Available: https://dergipark.org.tr/tr/pub/idealkent/issue/36683/417602.