Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
James Joyce's extimate modernism in Ulysses: a Lacanian take on language, subjectivity and temporality
Download
index.pdf
Date
2022-9
Author
Korkmaz Karaman, F. Tuba
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
308
views
282
downloads
Cite This
The high modernist struggle to represent the modern individual and their predicament finds its best form in the works of James Joyce, whose writing discloses a radical departure from and a challenge to Cartesian epistemology, and linearity as its keyword as well as realism as its literary reflection. Joyce’s break away from linearity is reflected both in the form and the content of his writing to such an extent that his narrative style acts out the subject matter of his works. I claim that the psychoanalytical theories of Jacques Lacan and his concept of extimité enable a thorough exploration of the Joycean subject in a nonlinear temporality and non-causal language. Ulysses is the impeccable embodiment of extimité not only due to its meticulous display of the extimate inter/intra-subjective relations, but also because its form is the extimate of its content. Extimité emerges as the defining characteristics of Joycean writing in its treatment of subjectivity, language and temporality, and it becomes possible to decipher the ways by which Joyce’s reconfiguration of reality is reflected in his use of content and form in their extimate relation. Therefore, this dissertation argues that reading Joyce’s Ulysses through the Lacanian concept of extimité, along with its relation to sinthome, objet a and desire/lack as exemplified in the topological images containing Möbian relations, unifies the fragmentary elements in the novel on a new hermeneutical ground, not by assigning semantic dimensions to these fragments but by casting a new hermeneutics over the extimate relationality between them.
Subject Keywords
Ulysses
,
extimité
,
Jacques Lacan
,
Cartesian epistemology
,
linearity
URI
https://hdl.handle.net/11511/99383
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Literary encoding of modernist alienation in the language and spaces of James Joyce’s Ulysses and Sadeq Hedayat’s the Blind Owl
Najafıbabanazar, Maryam; Sönmez, Margaret Jeanne M.; Department of English Literature (2018)
This thesis examines James Joyce’s Ulysses (1922) and Sadeq Hedayat’s The Blind Owl (1937) from the point of view of their responses to modernist alienation, that is, how these two writers construct texts that, at several levels and particularly on the levels of language, place and space, encode and express alienation. Alienation itself is a theme that has been regularly associated with modernist art, and with its history of plentiful associations and meanings alienation is here taken to refer to the indiff...
Alternative Subject Positions and Subject-Object Relations in Keats's Poetry
Günday , Merve; Birlik, Nurten; Department of English Literature (2022-12)
This dissertation claims that Keats’s poetry is a reaction against the discourse of modernity which traumatized the human subject by creating a divide between human and nature, subject and object. It argues that by transcending this divide and acknowledging the agency of both subject and object, his poetry makes an ideological statement and offers a new site of existence or relationality to the readers. This site also implies a response to the accusations that the Romantics were not interested in the realit...
The concept of self in the context of the "despisers of the body" alluded in nietzsche's thus spoke zarathustra
Yazıcı, Irmak; İnam, Ahmet; Department of Philosophy (2008)
This thesis analyses the concept of self with respect to Nietzsche’s (1844- 1900) implications on the “despisers of the body” in Thus Spoke Zarathustra. Nietzsche’s exposition of the self as a varying multiplicity neither within nor out of the body is the basic assumption of this dissertation. In this sense, the place of Nietzschean self considering the evolution of the concept of self through history will be analyzed. The concept of ego (subject) will be discussed as Nietzsche’s critique of the so-called m...
A Julia Kristevan analysis of Emily Dickinson and John Milton
Sarıkaya, Merve; Sönmez, Margaret Jeanne M.; Department of Foreign Language Education (2007)
This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva’s theories of poetic language and abjection, and to see the extent to which these concepts are applicable to two such different poets and also to see how the poets compare within such analytic framework. Kristeva adapts a psychoanalytic approach to poststructuralist theory. Psychoanalytic criticism with its two leading figures, Sigmund Freud and Jacques Lacan, has been analyzed to see its reflections on Kristeva...
Nietzsche’s influence on modernist bildungsroman: the immoralist, a portrait of the artist as a young man, and demian /
Başpınar, Harika; Alpakın Martınez Caro, Dürrin; Department of English Literature (2014)
This thesis carries out a comparative analysis of three modernist bildungsromans written by André Gide, James Joyce, and Hermann Hesse in the light of Nietzschean philosophy. The Immoralist (1902), A Portrait of the Artist as a Young Man (1916), and Demian (1919) are all coming of age novels reflecting the zeitgeist of modern Europe at the beginning of the 20th century. It is argued that their protagonists are typical modernist characters who show a rebellious characteristic and strive for freedom and authe...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
F. T. Korkmaz Karaman, “James Joyce’s extimate modernism in Ulysses: a Lacanian take on language, subjectivity and temporality,” Ph.D. - Doctoral Program, Middle East Technical University, 2022.