The aspects of aesthetics of interaction: deconstructing the ‘how’ level of user-product interactions

2019-05-23
The term aesthetics of interaction emerged from the need to explain the appreciation of our sensory experience of the products, which goes beyond the appreciation of the visual appearance. In other words, it is used to define/design products which are not only pleasant to look at, but also pleasant to use. The product design literature discusses the aesthetics of interaction through the sensory aspects of the products. However, with the increased embodiment of computing technologies, the interactivity of the products has become more complex and varied. To describe the interaction aesthetics of the products there now appears a need to widen the vocabulary. Even though we interact with most of the product aspects through our sensory systems, we still need to acknowledge certain characteristics of interaction (e.g. response time, sequence of interaction steps, range of movement and precision in information presentation) separately than the aspects like product texture or sound to deal with the complexity of such diverse products/interactive systems. This paper presents a synthesis of product experience and interaction design literature to deconstruct ‘how’ users interact with products with reference to the sensory specific and non-sensory specific aspects of interaction/interactivity. It also offers a categorization of the existing ‘aesthetics of interaction’ vocabulary with an aim to guide the designers while they define and formulate the aesthetics of user-product interactions.
3rd Turkish Congress of Aesthetics, 23 - 25 Mayıs 2019

Suggestions

Nine ways to wake up: Bedside alarm clocks designed by a 'meaningful interaction' learning approach
Şener Pedgley, Bahar (null; 2014-01-01)
During interaction, people perceive and process varied sensorial information emanating from a product, leading to qualitatively varied experiences on aesthetic, meaning and emotional levels. Navigating a way through the complexity of issues involved in 'design for interaction' (DfI) is however not easy. This paper presents the foundations and findings of an educational approach to designing for (or by) 'meaningful interaction', which we define as user-product interaction conceived through everyday adjective...
The Concept of disinterestedness in modern philosophy of art: Kant, Schopenhauer, Nietzsche, and Heidegger
Akkökler Karatekeli, Büşra; Turan, Şeref Halil; Department of Philosophy (2016)
This thesis aims to investigate the concept of disinterestedness in the modern philosophy of art. To this end, I firstly attempt to elucidate how this concept is described and gained its specific meaning in Kant. Then, I focus on Schopenhauer’s salient contribution to the discussion of aesthetic disinterestedness – thought along with his metaphysics –, namely the body, and attempt to bring into view the relation between the body and aesthetic disinterestedness. In the following, I investigate how Nietzsche’...
Construing product materials: developing senso-attitudinal maps through repertory grid technique
Derviş, Barış; Börekçi, Naz Ayşe Güzide Z.; Department of Industrial Design (2021-1-6)
Designing material and product experiences is a complex process that requires a comprehensive understanding over subjective dimensions such as cultural and psychological backgrounds of the individual, multisensory relations, and product contexts. It is becoming more essential for a designer to understand how materials are perceived. There is a growing need for designers to achieve information sources that represent idiosyncratic data of the user anticipations towards perceived material qualities in particul...
The interaction of consumer constructed meanings of brand identity and "designed" product
Özalp, Yeşim; Kurtgözü, Aren Emre; Department of Industrial Design (2005)
This is an attempt to understand the interaction of meanings of brand identity and ءdesigned̕ product from the consumers̕ viewpoint. Brand Identity is taken as the ءconceived̕ identity, which overlaps with concepts of brand image and brand associations. ءDesigned̕ product is analyzed via dimensions of function, form (aesthetic) and symbol. The aim of the thesis is to find patterns of interaction of functional, emotive and symbolic associations for brand identity and the functional, formal (aesthetic) and sy...
The meaning of environmental aesthetics: For what? For whom?
Ataöv Demirkan, Anlı (2017-11-04)
Studies on environmental aesthetics discuss the notion of aesthetics in relation to people's perception of the environment, their emotional and behavioral responses to the perceived, and the relationships between them. This directly resumes individual experiences in space. Respectively, the field acknowledges that aesthetic judgement is based on subjective experiences yet it also argues that the objectivity can be found among people with similar age, socio-economic and cultural backgrounds. In urban life pr...
Citation Formats
G. Şen and B. Şener Pedgley, “The aspects of aesthetics of interaction: deconstructing the ‘how’ level of user-product interactions,” presented at the 3rd Turkish Congress of Aesthetics, 23 - 25 Mayıs 2019, Ankara, Türkiye, 2019, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/86912.